So Yong Kim's film contains no dramatic events beyond this but passes amiably enough, with the two waifs independent more than sentimentalised, and there are no great pretensions to do more than tell things as they are. It's of interest to note that men are wholly absent from the film, only ever seen at a distance if at all. The only close-up exception is a stranger who tells the children that their aunt's number is disconnected; the allusion to masculine abandonment is obvious.
6/10
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