It would be easy to trip into cheesiness with this set-up, but a combination of Richard Jenkins's sensitive (and Oscar-nominated) reading of the professor warily opening up and McCarthy's lightness of touch with essentially staple material makes for a satisfyingly true-to-life whole, and also an undidactic one, despite its obvious indignation at the status quo. Neither the protagonist nor the illegal immigrants are idealised portraits of nobility or suffering, but believably rounded, vulnerable beings under the impersonally oppressive yoke of US post-9/11 bureaucracy.
7/10
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