Wednesday, 10 December 2025

Kinds of Kindness (Yorgos Lanthimos, 2024)


Once again, I've been suckered into watching one of Lanthimos's deranged concoctions because of the strong cast (Emma Stone, Jesses Plemons and Willem Dafoe, all in multiple roles) and the hope that the director's idiosyncracies might finally produce something meaningful to the world outside his head. No such luck. After 2 hours and 45 minutes of a loosely connected triptych of stories, all that is learnt once again is that Lanthimos is so autistic as to border on being a sociopath. David Lynch and Alejandro Jodorowsky, Michael Haneke and Lars Von Trier are notable directors of highly leftfield, visionary films which have more than their fair share of wilfully jarring moments, but ones with a sense of empathy and purpose. Lanthimos, on the other hand, is to be placed in the same category of emotionally-stunted misanthropes as Ulrich Seidl and Tom Six. That category may well also be a competition between them.
Each part of the triptych presents an enslaved main character: first one whose every timiest life choice is completely dictated by his boss, then a man who falls prey to the delusion that the woman who has returned from a disastrous expedition isn't really his wife, and finally a woman who is completely in thrall to to a  cult of resurrectionists. The ideas are all interesting enough, which will keep you watching, but there's simply no pay-off at the end of any of them.

5/10

Tuesday, 9 December 2025

A House of Dynamite (Kathryn Bigelow, 2025)


Bigelow returns once again to the genre of the military-political thriller with a premise where a nuclear missile of unknown provenance is heading for the continental USA and the clanking gears of the country's defence network have to go into overdrive to deal with the impending catastrophe. The scene constantly jumps for two hours from one military intelligence installation to another, each with its own set of characters either mechanically following protocol or falling to pieces.  This is a thriller with no action content, just a fairly feasible insight into how the USA, the titular 'house of dynamite' armed to the teeth would actually go about dealing briskly with a real crisis. In that regard, it's more worrying than most horror films are. Nevertheless, the imperative to show the workings of the machine is very much in the driving seat, at the cost of any characterisation until Idris Elba is revealed as the U.S. President, having been kept off camera up to very late in the film, and gets to do some proper acting as he agonises over the limited range of executive options he has, all of them terrible.

6/10